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Motion Picture
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In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of “La sortie des ouvrier de l’usine Lumiére” was projected. The stringing together of th individual developed sections make up the new film, which reads the original frame like a page from a musical score: within the strips from top to bottom and sequentially from left to right. (Peter Tscherkassky)
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